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Banjo or guitar for a beginner?
The banjo's reputation for difficulty is mostly about the right hand, and its left hand is genuinely easier than a guitar's.
By Sawyer V. · Published · Last updated

The banjo is widely assumed to be the harder of these two instruments, and that assumption is half right in an interesting way. Its left hand is genuinely easier than a guitar’s. Its right hand is where the difficulty lives.
Choose banjo if you want old-time, bluegrass or folk, and are happy to learn an unfamiliar right-hand technique. Choose guitar if you want to accompany singing, play a wide range of music, or have the most transferable instrument. The banjo's left hand is the easier of the two.
Why the banjo’s left hand is easier
A five-string banjo is tuned to an open chord. Strum it with no fingers on the fretboard at all and you get a G major.
That has a large consequence for a beginner. Simple chord changes need one or two fingers rather than three or four, and there is no equivalent of the guitar F chord waiting three weeks in to stop everyone.
A Yamaha FG800#ad is tuned in a way that requires real chord shapes from the first lesson: three fingers arriving on three strings simultaneously, cleanly, in time. That is the thing guitar beginners spend weeks on.
There is also the fifth string — a short drone that starts at the fifth fret and is usually not fretted at all. It rings the same note constantly, which is a large part of the banjo sound and is one fewer thing for the left hand to manage.
Why the banjo’s right hand is harder
Guitar right-hand technique is intuitive: strum across the strings, or pick them individually. Most people can produce something recognizable on day one.
Banjo has two dominant techniques and neither is obvious.
Clawhammer strikes downward with the back of a fingernail while the thumb catches the fifth string. The motion is unlike anything else and feels alien for a few weeks.
Three-finger, or Scruggs style, uses metal fingerpicks and a thumbpick to play continuous rolls — repeating patterns across the strings. It is a genuine coordination challenge and it is the bluegrass sound.
So the banjo front-loads a different difficulty than the guitar does. Guitar makes you earn the left hand; banjo makes you earn the right.
The comparison
| Banjo | Guitar | |
|---|---|---|
| Tuning | Open G — strums a chord with no fingers | Standard — needs shapes from day one |
| Left hand early | Easier | Harder |
| Right hand early | Harder — unfamiliar motion | Easier — strumming is intuitive |
| Accompanies singing | Works, less naturally | Its core strength |
| Range of music | Idiomatic — folk, old-time, bluegrass | Almost anything |
| Volume at home | Open-back quiet, resonator loud | Moderate |
| Players to compete with | Few | Very many |
The volume question
This catches people out, because “banjo” covers two instruments with very different volumes.
A resonator banjo has a wooden bowl on the back that projects sound forward. It is loud, focused and aggressive, which is exactly what bluegrass needs and exactly wrong for a shared building.
An open-back banjo has no bowl. Quieter, lighter and warmer, and comfortably more neighbor-friendly than a resonator. A Recording King RKOH-05 Dirty 30s#ad is an open-back for this reason, and the fuller version of the decision is in best beginner banjos.
An acoustic guitar sits between the two — conversation-level and with little low-frequency content to travel through walls.
Where each one leads
The guitar is the general-purpose instrument. Almost any genre, chords under a voice, the largest body of teaching material of anything, and the most transferable skill set. It is also the most crowded chair in any room — see best bluegrass starter instruments for what that means in a jam.
The banjo is idiomatic and in demand. Fewer players, a defined role in the music it belongs to, and a distinctive voice. A competent beginner banjo player gets asked to play far sooner than an equivalent guitarist.
If you are choosing on strategy rather than sound, that asymmetry is the strongest argument for the banjo — and playing with other people is the single best predictor of anyone continuing with an instrument.
What to buy either way
Both need a setup. On a banjo this matters more than most people realize, because the bridge is not glued — it stands under string tension and must be positioned correctly or the instrument plays out of tune everywhere above the open strings.
The Deering Goodtime Open Back#ad is the step-up open-back if you already know the banjo is what you want. The guitar picks are in best beginner acoustic guitars.
What we would buy
Recording King RKOH-05 Dirty 30s
Recording KingBest for: The honest floor, open-back
An open-back 5-string with a multi-ply rim and a real Remo head at the bottom of the market. Open-back is the right first banjo for clawhammer and old-time, and this is the cheapest one worth owning.
Published specifications
- Type:
- 5-string, open-back
- Rim:
- Multi-ply
- Head:
- Remo
- Neck:
- Maple
- Fretboard:
- Revebond, inlaid dot markers
- Scale length:
- 26-1/4"
- Hardware:
- Nickel-plated, Presto-style tailpiece
- Bridge:
- Maple/ebony
What it gets right
- Open-back construction is quieter and lighter than a resonator banjo, and it is what old-time and clawhammer playing actually wants
- Multi-ply rim rather than the cheapest possible single-ply
- A genuine Remo head, which is the part most budget banjos economize on
- Presto-style tailpiece and a maple/ebony bridge are proper components rather than tokens
Where it gives ground
- Published reviews consistently flag a narrow neck and tight string spacing at the nut — a real problem for larger hands
- Open-back means noticeably less volume and projection than a resonator banjo
- Not a bluegrass banjo — if you want that driving, cutting sound you want a resonator
- Budget banjos typically need a setup before they play properly
What it is not good at
Bluegrass. An open-back banjo cannot produce the loud, focused bark that bluegrass three-finger playing is built on, and no amount of setup changes that — it is what the resonator is for.
How the specs score against a beginner’s needs
Scores are our reading of the published specifications above against what a beginner physically needs. They are not test results — we have not played this instrument.
Specifications from Banjo Teacher — Recording King RKOH-05 published specifications, Amazon listing naming the exact model.
Yamaha FG800
YamahaBest for: Buy once, acoustic
A solid Sitka spruce top with scalloped bracing at the entry price. Solid-versus-laminate is the one acoustic spec that changes what the instrument does over years, and this is the cheapest place to get it done right.
Published specifications
- Top:
- Solid Sitka spruce
- Back / sides:
- Nato / okume
- Neck / fingerboard:
- Nato neck, rosewood fingerboard, R400 mm (23-5/8") radius
- Scale length:
- 650 mm (25-9/16")
- Nut width:
- 43 mm (1-11/16")
- Bracing:
- Scalloped
- Body:
- Traditional Western (dreadnought), 412 mm (16-1/4") wide, 100-118 mm deep
- Hardware:
- Die-cast chrome tuners, urea nut and saddle
What it gets right
- A solid top, not a laminate — the only acoustic spec at this price that genuinely changes over time
- Scalloped bracing and die-cast tuners are specifications you normally pay considerably more for
- Yamaha's most-copied entry acoustic; parts, setups and advice are everywhere
Where it gives ground
- A full dreadnought body is a big box — 412 mm across and up to 118 mm deep
- Nato and okume back and sides are the cost saving; the top is where the money went
What it is not good at
Fitting a smaller player. The dreadnought body is wide and deep enough that a young teenager can struggle to get their arm over it comfortably. If that is the buyer, look at the JR1 or a concert-size body instead.
How the specs score against a beginner’s needs
Scores are our reading of the published specifications above against what a beginner physically needs. They are not test results — we have not played this instrument.
Specifications from Yamaha Europe — FG/FS800 series specifications.
Deering Goodtime Open Back
DeeringBest for: Buy once, made in the USA
The step-up open-back that experienced players reach for when comparing budget banjos, on the strength of its three-ply rim. It is the one you keep rather than replace.
Published specifications
- Type:
- 5-string, open-back
- Rim:
- Three-ply
What it gets right
- The three-ply rim is the specific reason experienced players in published comparisons prefer it over cheaper open-backs
- Deering's entry line has a long track record and strong resale
- Open-back weight and volume suit clawhammer and old-time playing
- Holds its value in a way budget banjos do not
Where it gives ground
- Costs substantially more than the Recording King for a difference a first-year player may not hear
- We could confirm only the rim construction from published comparison sources, so the spec list here is deliberately short rather than padded
- No Amazon listing was confirmed whose title names this exact model, so the buy link is a tagged search
- Still an open-back, so still the wrong instrument for bluegrass
What it is not good at
Being an obvious upgrade for a complete beginner. The gap over the Recording King is real and it is a gap in build rather than in playability, which is exactly the kind of difference a first-year player is least equipped to appreciate.
How the specs score against a beginner’s needs
Scores are our reading of the published specifications above against what a beginner physically needs. They are not test results — we have not played this instrument.
Specifications from Banjo Hangout — Deering Goodtime vs Recording King Dirty 30s open-back comparison thread.
Questions people actually ask
Is banjo easier than guitar?
The left hand is easier, because a five-string banjo is tuned to an open chord — strum it with no fingers down and you get a G. The right hand is harder, because clawhammer and three-finger rolls are unfamiliar motions.
Should I learn guitar before banjo?
Not necessarily. They share almost no right-hand technique, and the banjo's open tuning means guitar chord shapes do not transfer. Start on whichever instrument's sound you actually want.
Is a banjo loud?
A resonator banjo is genuinely loud and cutting — louder than an acoustic guitar. An open-back is much quieter and warmer, which makes it far better suited to practicing at home in a shared building.
Can you play regular songs on a banjo?
Yes, though the banjo is idiomatic in a way the guitar is not. It excels at old-time, bluegrass, folk and Irish music, and it is an unusual choice for accompanying pop songs.
Sources
Still deciding?
Every recommendation on this site is built the same way, and the method is published in full — including what we do not do and what would get a pick dropped.
Read next
- Best beginner banjos
Open-back versus resonator, what a multi-ply rim actually buys, and two open-back banjos with their weaknesses stated.
- Best instruments to start bluegrass on
What each instrument does in a bluegrass band, which are easiest to start, and a pick for the three most accessible seats.
- Best beginner acoustic guitars: solid tops from $200 to $350
Solid versus laminate tops, the dreadnought body-size problem, and picks for adults and children separately.
- Mandolin or ukulele to start on?
Finger comfort, time to a first song, what each is for musically, and which suits a player with a guitar or violin background.
- Bowed or fretted strings for a beginner?
What frets actually do for a beginner, why bowing is a second instrument, and which family suits a child, an adult or a self-teacher.